If Shakespear’s Hamlet gave us the famous dialogue “to be or not to be- that’s the question”, the dialogue – “Ek alag nazaria bhi to ho sakta hai” from the movie Haider haunts me time and again. True to this dialogue – ‘Ek alag nazaria bhi to ho sakta hai’, which has been used in the movie a number of times by various characters, Vishal Bharadwaj has given a different perspective of the situation in Kasmir. Even though the movie is an adaptation of Shakespear’s drama Hamlet, there is nothing ‘English’ about. In other words, it was hard to find any trace of Hollywood in it. Contrast the movie with many of the commercially successful Bollywood movies released during the last two years. Many of these movies borrowed heavily from Hollywood, even theme by theme and scene by scene. I expected Amir Khan starrer Dhoom 3 to be something different, but was disappointed. For major part, the movie reminded me of “The prestige”.
In addition to just the right casting, director Vishal Bharadwaj has brought out the best of not only the lead actors like Shahid Kapoor, Taboo, Kay Kay and Shradha Kapoor, but also the actors in smaller roles and cameos. The director himself declares the movie to be his best movie so far and a masterpiece. And a masterpiece it is, in terms of cinematic art.
Barring one colourful sequence that provides a cheerful backdrop for the meeting of mother and son, for most part of the movie, the white backdrop provided by the snow fall contrasts with the grim reminder of impending disasters. Murders, betrayals, compromises and the overall atmosphere of distrust overshadows the pristine scenic enchantments of the valley. The movie evokes this unfortunate confluence of contrasts. Gone are the days when, enchanted by the beauty of Kashmir, the poet could declare, “If there is any heaven, it is here, it is here, it is here”. The poet in Haider could only discover the hell that the modern day Kashmir has turned out to be and wonder whether ‘to be or not to be’ in such a situation.
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Those who have lived in Kashmir would relate with the nuances of the movie better. The director and the actors have brought out in an in-offensive manner the typical way of English and Hindi pronunciation by the natives of Kashmir – school as shakool, chance as chaanas, bhai as bai and so on.
Contrary to the Shakespearean saying – “All is well that ends well’, the movie does not end in an optimistic note. But, it could not have been more befitting. Haider walking into uncertainty amidst gory pictures of violence, is an apt representation of the current situation in Kashmir.
While the movie has been highly acclaimed by the critics and connoisseurs, another movie that was released on the same day crossed the 200 crore mark in record time. At a time when, with utter disregard to the artistic value, Bollywood movies are ranked by the crores they have raked in, where would a movie like Haider fit in? Should it be ranked and compared with the contemporary releases? Or, may be, it would be better to put it in a class of its own.
(The article was originally written two days after the release of the movie )