Stuti is a musical composition in praise of a particular form of the divine. Sometime it includes the prayer element, sometimes not. The nearest word for it is hymn. Of course for the compositions of the post vedic periods, the word hymn is rarely is used since hymn has an ancient connotation to it being … Continue reading The Stuti Genre of Sanskrit Literature
Tag: Indian wisdom
questioning is the key
Photo by Pixabay on Pexels.com धृतराष्ट्र उवाच धर्मक्षेत्रे कुरुक्षेत्रे समवेता युयुत्सवः। मामकाः पाण्डवाश्चैव किमकुर्वत सञ्जय।। dhritaraashtra uvaacha dharmakshetre kurukshetre samavetaa yuyutsavah / maamakaah paandavaashchaiva kimakurvata sanjaya // Dhritarastra said : Assembled in Kurukhetra - the field of dharma, determined to fight it out, what did Pandu’s sons and mine do, O Sanjay? Bhagavad Gita //1:1// … Continue reading questioning is the key
ones and zeroes
In fourteenth century AD a Keralite mathematician and astronomer wrote about the infinite series. He is known as the Madhava of Sangamagrama to avoid confusion with other Madhavacharyas. In seventeenth century Issac Newton and Wilhelm Leibnitz also discovered the series. However for a long time Newton and Leibnitz continued to take credit for the discovery. … Continue reading ones and zeroes
Narada Bhakti Sutras
I will take this opportunity to talk about the Bhakti genre of literature as well as the sutra form of Indic texts. Bhakti literature flourished in the middle ages. The poet saints of that era wrote odes to particular form of deities. Those who were devotees of Lord Krishna wrote songs in praise of lord … Continue reading Narada Bhakti Sutras
Mricchakatikam – the cart of clay
Mricchakatikam, the Sanskrit play of the fifth century AD written by Sudraka, has all the element of a Bollywood blockbuster. It is unfortunate that the movies made on this paly in Hindi and other languages did not become so. Hindi movie Utsav was made on this play and it starred Rekha, Sekhar Suman, and Amzad … Continue reading Mricchakatikam – the cart of clay
The Language of Gods
नृत्तावसाने नटराजराजो ननाद ढक्कां नवपञ्चवारम्। उद्धर्तुकामः सनकादिसिद्धान् एतद्विमर्शे शिवसूत्रजालम् ॥ In response to the desire of Sanaka and other perfected ones, after the dance had subsided the emperor of Natas played his damaru fourteen times and henceforth originated the strings of Shivasutras. So the story goes that Sanat Kumara and other perfected beings (Siddhas) went … Continue reading The Language of Gods
Jyotisha – the lord of light
For the earth, the stars and the planets are the natural and large scale sources of light. The amount of natural lights we get impacts all the living beings on earth in terms of health and mood. On closer examination we find that some activities are best suited for morning, some for midday, some for … Continue reading Jyotisha – the lord of light
Interpretation of Indic texts
Knowing Sanskrit definitely helps in understanding the essence of Indic Texts. Even partial knowledge of Sanskrit may help to at least have a sense as to whether the commentator has interpreted correctly. Western scholars who are interested in Sanskrit texts usually learn Sanskrit. Unfortunately, this is not so with many Indian intellectuals even though it … Continue reading Interpretation of Indic texts
Eesha Upanishad
To indicate its proper pronunciation it is written as īśā. Most commonly it is written simply as Isha. Except for the title I will also stick to Isha so that my post is not left out of SEO benefits. But, since in Devanagari it is written as ईशा it should be written in Roman alphabets as … Continue reading Eesha Upanishad
Charaka Samhita – a treatise on holistic health
image source: creative commons license Dharmarthakamamokshanamarogyam mulamuttamam (Charaka Samhita 1:15) Health is the basis of four goals of human life - Dharma, Artha, Kama and Moksha If grammar books and lexicons can be written in verses so that memorising will be easy, so can be a text on medical science. More so in the case … Continue reading Charaka Samhita – a treatise on holistic health
